Smallholding
The Nuffield Theatre, Southampton
Smallholding is based around the over familiar
subject of a disintegrating relationship. The play opens as married couple,
Andy and Jen, arrive at a dilapidated farmhouse. Andy is a drug addict and
because of this their daughter has to live with Jen’s parents, who will only
give her back if the pair can sort out their lives and make a success of the farm.
Sadly it is obvious where the story is going. Chris New dominates the production as Andy. He makes every opportunity to posture and
spout empty words. He promises a lot but does not deliver, and he then tries to
avoid the subject whilst acting irresponsibly. Matti Houghton is the more
proactive of the two as Jen, who hopes to start a new life on the farm, yet has
to put up with Andy’s lack of responsibility in the first few scenes.
The play does not lead the audience into the story
gradually. The first half is basically a downward slide into hardship. It does
however pick up when, at their last tether, the couple resort to drugs. The
highlight of this production is a Christmas scene, where they imagine they are
having a party with Jen’s parents and their daughter.
Between each scene the play jumps ahead a few weeks to
keep the plot going, though it does jump a couple of years for the last scene
and only gives the audience a general idea of what has happened. The play also
continuously brings up references to people and certain objects, such as an oar
that Andy claims to be the one that Steve Redgrave used in the Olympics. It
feels as if there is meant to be theme behind these references yet by the end
they are forgotten.
Thankfully the play consists of one act and the jumps in
time means it moves at a good pace. Yet the overall story has been done before,
and it is hard to relate to the characters for that reason. The set is simple
comprising of a few doors and some furniture, though a bizarre moment occurred
during an inordinately long scene transition at the end. The play does not
bring anything else to the proceedings to keep the audience interested, and should only be seen at a high Restricted View.
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